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CLEARLIGHT "Messenger Of The Sun" (Symphonic Prog, 2000) by toroddfuglesteg
3/5 STARS - What a pleasant surprise.I expected a toothless new age album here. It is my impression that Clearlight deviated in that
direction after the four first albums. But in the case of Messenger Of The Sun, this is not the
case. Yes, there are a lot of new age meanderings here. In fact, more than half of this album is
new age stuff. The other half, on the other hand............ The other half of this album, and pretty good integrated with the new age melodies, are pure
jazz. Jazz like Return To Forever and the likes of them. That means pretty intense jazz which
weaves itself around themes and improvises melody lines. Music that makes my heart sings
with joy. Talking about vocals........... there is none here. This purely an instrumental album. It is
pretty well structured too. My only gripe, and it is a major one, is that the new age stuff could had been shortened down a
lot. Cut off twenty minutes of this album and you have an excellent jazz album with some good
references to the new age genre. But then again, Cyrille Verdeaux is the king of the new age
genre. I am not fond of this stuff so twenty minutes of this album is pretty much a waste of my
time. But this album is still a great mix of new age, jazz and symphonic prog. It is also a
suitable movie soundtrack. In short, if this type of music is your music, you should own this
album. I have my reservations, though. But this is still a very good album in my view. 3.5 stars
by toroddfuglesteg
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APHRODITE'S CHILD "It's Five O'Clock" (Symphonic Prog, 1969) by jean-marie
4/5 STARS - This one is not as prog as the first album, it has been recorded at the trident studio in
LONDON ,it displays various kind of styles because VANGELIS asked the guis to renew
themselve.VANGELIS plays more piano and added flute and vibe,DEMIS plays a little ac guitar
and brings his first song,very romantic of course ,ANNABELLA and LUCAS starts singing and
writing with LET ME LOVE LET ME LIVE that will bee a hit in europe he sings throught several
other tracks and that will lead to dissensions in the band because DEMIS din't agree.Of
course this album contains another pure pop single by VANGELIS,IT'FIVE O CLOCK that
would bee a smash hit in europe,DEMIS recalls us he is a trumpet player too on GOOD TIME
SO FINE .In fact this recording displays various kind of styles (country,greek folk,psyche
rock,pop) because VANGELIS tried to satisfy record company demand but keeping the band
creative,but he was allready thinking about a more avantgardiste work (666).I give four stars
because of IT'S FIVE O CLOCK;LET ME LOVE,WAKE UP and MARIE JOLIE .
by jean-marie
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FRANK ZAPPA "Läther" (RIO/Avant-Prog, 1996) by Sean Trane
3/5 STARS - 3.5 stars really!!!Back in the second half of the 70's, even Zappa didn't escape to the giganticism and
wanted to put out a 4 vinyl set of new studio and live material, yet unreleased. Despite one
or two examples that would take place a few years later, like the Godley & Crème boxset,
the industry doubted of the commercial success (not without reasons) of such an
ambitious project and refused Zappa the release as such. So Frank released four different
album containing this material (sometimes in a different version), but in a willingly
disorderly fashion, so that the concept was impossible to reassemble over the Sleep Dirt,
Studio Tan, Orchestral Favorites and a live album. Note that his next big projects would be
the double Sheik Yerbouti and the triple (but released in two parts) Joe's Garage. This
project was finally released after Frank's death by wife Gail and some associates. The
least we can say is that this set is extremely well-done and really reflects Frank's (all-too
often scatological) spirits of the times and reflecting his general defiance and gratuitous
provocation of the well-thinking establishment about many still taboo subjects. The first disc starts on the splendid jazz-rock Re-Gyptian Strut (on SD), but soon digresses
in Modern Classical with Aviation (on OF), the Whole Lotta Love-riffed & Lumpy Gravy
influenced Duck Goose and later on the scatological Assholes and Enema pieces - the
latter sounding like a killer Frank Marino & Mahogany Rush blues, once past the idiotic
intro. The album finishes on a Studio Tan feast, with three tracks from its flipside, including
the excellent Take You To The Beach and RDNZL. A worthy first disc, but marred by the
juvenile-crappy humour. The second disc starts on the goofy bluesy Man Like Me, then segues with a few Live In
New York tracks (or their studuio version), including the then-censored challenging Funky
Whips (with that famous male promise ;o)))), but it is the terrific Flambay (or Flambé from
SD) that grabs all of our attention. A while later, Läther (from LiNY) is one of the Zappa
proggiest fusion tune almost Canterburian as the awesome Spider Of Destiny (again from
SD) is. Closing on an Orchestral Favorite piece, this second disc is much more enjoyable,
because the humour segues to the music. The third disc opens on another SD stand-out piece, the dark and brooding almost-
Crimsonian Filthy Habits, but the legendary (but not in my book) misogynistic Titties piece
is up next and makes a second reference to Jeff Beck. A little deceiving is the much shorter
Ocean Solution (from SD), reduced from 13+ to to 8-mins, even though it remains excellent.
The pièce de resistance is the sidelong suite of Greggery Peccary that's closing the set
and boxset, with moments of pure bliss, but a lot of that usual dumb humour. The four
bonus tracks are not essential (there is a lengthy jam) but don't hinder the album either. Well Läther is a good set that might happily replace the 4 late-70's albums, but
unfortunately the Sleep dirt album tracks are not in the original album form, so you'd have to
get that one and the live one as well, if you are a completist. And reversely, if you're a Sleep
Dirt aficionado (like me), you'll be tempted to get Läther, at least for the re-arranged SD
pieces. I'll pass, though, as I can rent this from the library.
by Sean Trane
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HAKEN "Aquarius" (Heavy Prog, 2010) by Textbook
4/5 STARS - On first listen I was ready to give this two. "Overblown prog enamoured with the past. Great
sound but needs better songs. File under Transatwanktic".
But as you can see I've now given it a four.
My initial discomfort seemed to be that while this is an EXCELLENTLY produced album-
boy they sound good- it's such a "prog" album, in that it does everything prog albums are
supposed to do. Big silly concept, really long songs, plenty of musical flourishes, some
really cool, some totally uncalled for, earnest singer etc etc and we end up with something
that is not really prog in the traditional sense as it rests on the laurels of established
successes rather than forging new ground.
Repeat listens however make me recognise just how well they've done this though. If you
love classic prog sounds with lots of grandiosity and cheese and don't expect to be
shocked and surprised, Haken, who sound a bit like James Labrie fronting latter-day
Kaipa, will be right up your alley.
The dips into circus metal and big band metal (they don't suit the dramatic atmosphere of
the songs- but I do like the hilarious shift into a sudden bit of cocktail jazz in The Point Of No
Return) and the growled vocals (I don't mind growls but they're totally out of place here) are
among the missteps here but that's about it- Streams verses are a little naive and feel as
though they were written by someone for whom English is not a first language but its still a
pleasant and enjoyable song. Otherwise this is especially strong for a debut.
My favourites are Aquarium and the incredible closer Celestial Elixir- I never get tired of that
big chorus hitting.
The album makes me play a movie in my head- whether it's the story Haken had in mind
I'm not sure as I haven't seen an official version of events. But the story I've made up
involves a mermaid being strapped to a rocket and launched into the sun. (I'm totally
serious- and of course there's context and background to that but I don't want to type out a
mini-novel which is only tangentially connected to the music in a review.) And if an album
can make me weave a story which involves a scene so preposterous, yet still moves me,
well that's good old fashioned prog isn't it. On paper incredibly stupid and excessive, in
practice electrifying and emotional.
I hold off on the fifth star because there are a few bum notes (in terms of musical choices,
not literal ones) and because I would like to see Haken innovating more, but this is a pretty
good way to start a career. Worth investigating.
by Textbook
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SOFT HEAP "Rogue Elements (as Soft Head)" (Canterbury Scene, 1978) by snobb
5/5 STARS - The only (live) Soft Head album is excellent work! Having its roots in psychedelic jazz-rock of
early Soft Machine music, this album is in fact Elton Dean's swan song. Plenty of soloing jazzy sax
on each composition (with great support of all other musicians, especially - Alan Gowen's electric
piano). Obviously more jazzy, than many Soft Machine albums, this album is excellent gem for Elton
Dean sax lovers. I can listen it again and again - fresh, very inspired improvs and possibly the best Elton Dean
recordings ever! To be honest, I like all Soft Heap/Soft Head albums, they all are based on Elton
Dean sax soloing with great support of Canterbury stars. But this live album is peak of all them for me! If you like Elton Dean, jazzy side of Soft Machine music or just great sax-led progressive jazz, you
must have this album for sure. My rating is 4,5, rounded to 5!
by snobb
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